Loans, Credit, Finance, Banks, & the Financial Sector Occupation - and the Jewish Question.
Do you use money? A bank? Do you have a loan? Are you in debt? If your answer is yes to any of these questions, please read on...
Although this short but very entertaining 30 minute animated documentary exposing the systematic economic fraud upon man is entitled 'The American Dream', it is extremely relevant to us in Britain and Europe as a whole as the deception essentially works the very same way and the consequences are far reaching.
The monetary death-grip that is increasingly tightening around ours necks is explained in such a way that even a child can understand. It shows you how you've been scammed by the most basic elements of our government system
I'll leave it up to Henry Ford to have the last word and hope you find the documentary and other information on this page of some interest... in fact please review all of the information on this page before commenting.
"It is well that the people of the nation do not understand our banking and monetary system, for if they did, I believe there would be a revolution before tomorrow morning."
Do you know how your money is created? Or how banking works? Why did housing prices skyrocket and then plunge? Do you really know what the Federal Reserve System is and how it affects you every single day? THE AMERICAN DREAM takes an entertaining but hard hitting look at how the problems we have today are nothing new, and why leaders throughout our history have warned us and fought against the current type of financial system we have in America today. You will be challenged to investigate some very entrenched and powerful institutions in this nation, and hopefully encouraged to help get our nation back on track.
Inside Job: How Bankers Caused The Financial Crisis
“There is definitely a fear among certain Jews in this industry…And it’s because it’s spreading past Wall Street now. There’s a growing animosity towards the wealthy, and especially the wealthy that have made money on Wall Street and real estate and finance, as so many Jews have—some legitimately, some not so. It’s very easy to generalise that it must be the entire Jewish people.” - Jewish employee with a top New York investment bank who asked that his name be withheld. Jewish Journal (October 7 2008)
“Inside Job”, The Academy Award documentary film about the current financial crisis is a worthy documentary, and it certainly delivers on many fronts. It explains the disastrous shift within the American financial industry over the last decade, exposing the elements, the decisions and the people who destabilised the global economy. In doing so, it provides an insight into the systematic, faulty structures that transformed American financial services industry markets into a risky bubble. And it also explains why the bubble eventually burst.
Charles H. Ferguson, the director of the film, managed to unveil the inherent malaise within a corrupted financial elite and within the American economy. The film exposes a chain of disastrous cases of conflicts of interest. In America, credit rating agencies had been receiving huge funds from the financial institutions that they were supposed to critically asses. Clearly, America let the cat look after the milk. The cat failed to confess a conflict of interest. Seemingly, in most cases, the cat was rather corrupted, and as it happens, it still is.
Inside Job - Trailer. Full documentary can be viewed HERE.
But how has America arrived at such a disastrous state of affairs? How are we to begin to understand the origins of such ways of operating? In America, academics and academic institutions are largely funded by business interests and industries, establishing a relationship that, to a large extent, significantly determines the curriculum. Needless to mention that such a situation is having some grave consequences on American scholarship -- In the long term, America has managed to shoot itself in the foot -- It has produced generations of scholars who lack the necessary means to think theoretically and critically, let alone bring about change. America’s young economists, for instance, are more than likely to be indoctrinated by the liberal ideologies that were planted initially by the likes of Milton Friedmann, Alan Greenspan, Larry Summers and Martin Feldstein. These two were adamant supporters of zero Governmental intervention and excessive deregulation. For more than a decade American academic institutions have been producing economists who excel in speculation and risky markets -- people who know how to make money out of money -- yet they know very little about production, productivity and manufacturing.
This fact alone may mean that America is farther than it hopes to be from recovery. It simply lacks the brain to bounce back into the world economy. America is gravely stuck in its service economy phase.
“Inside Job” ends by contending that -- despite the financial turmoil and those who are culpable for an emerging global disaster -- the underlying system has not changed. The clique that turned world finance into a “Global Ponzi scheme” remain largely untouched. The protagonists who impoverished hundreds of millions around the world, have been left with hundreds of millions in their pockets; and as if this is not enough, they are still running America’s financial world.
As much as the film is brilliantly made, it has some crucial blind spots: Almost every individual or figure linked to the colossal disaster disclosed in the film is either a Jew, or a goy who worked for a company that is recognised as ‘being Jewish’. And yet, the film (probably consciously) fails to address this highly sensitive issue.
I would not suggest that Jews, as a people, are collectively responsible for the economic crisis -- I have never accused Jews as a collective -- And yet, a few questions need to be raised here. How is it that so many amongst the culprits of the current global disaster are Jews? Are they Zionists? Do they form a class -- or are they just a bunch of individuals? Is such a severe lack of ethics (which they surely so profoundly performed) imbued within ‘Jewish secular culture’?
These questions are likely to be considered by historians of the future, and I do not see any reason not to elaborate on them now. In fact Jewish media outlets have admitted that the situation and its implications might well prove to have complex repercussions -- already in 2008, The Jewish chronicle was envisaging a tidal wave of anti Semitism. The ADL too, was concerned. In 2009 the Wall Street Journal also expressed concern about the rise of anti Jewish feelings.
The film obviously fails to address the topic, but this may as well be a very clever move, since such an omission leaves these questions to the viewer.
I am convinced that Ferguson wasn’t at all blind to the disproportionate representation of Jews within his cast. Though the word ‘Jews’ or Jewish symbols are avoided, Christianity is actually clearly featured in the film -- During the film, Ferguson discloses the excessive life style of his corrupted protagonists: more than once we meet a ‘fair escort girl’, who is there to tell us about the boys in Goldman Sachs’ and Lehman Brothers’ most ‘elementary needs’. Interestingly enough, on her well endowed breast, clearly visible, hangs a substantial crucifix.
In cinematic language, this symbolism is very telling. Also towards the end of the film the camera introduces us to the victims of the ‘financial shoa’. We are taken to a tent-city built for the impoverished Americans; those who lost everything they ever had while a bunch of corrupted bankers pocketed millions. In this island of poverty we meet a volunteer for a Catholic charity who is there to introduce hope.
Whether Ferguson intended to give this impression or not is unclear, but the symbolism is devastatingly obvious; the Christians here are either prostituting themselves, or just left to pay the bill.
There is more omission. Throughout the film there is not a single mention of the war in Iraq. Yet, it is an obvious fact that at the time Alan Greenspan, Goldman-Sachs, Lehman Bros, Larry Summers and Martin Feldstein were leading America and the world economy into a total disaster, America was fighting a war that was set to demolish one of the last enemies of the Jewish state. At the time that America was led to believe in its miraculous financial boom, some bankers were manufacturing false dreams.
These two occurrences go hand in hand. While America was implementing ‘the Wolfowitz doctrine’ and fighting a Zionist war, a cabal of corrupted bankers pocketed billions, creating an economy bubble that diverted the public attention from the war in Iraq.
The film fails to address these aspects. But it may be wise to do so -- For it to reach the masses, the film rather ‘saves itself’ from telling the entire truth.
However, the truth will come out. It always prevails somehow.
Wall Street Occupation and Zionism
People can call it what they want but facts don't cease to be such because they may be offensive. Forget Nazi stuff, Jewish supremacists are't untouchable because of their holocaust. The supremacists control the media, polics and fimance. That may be inconvenient for some, nut facts are facts.
This is about Occupy Wall Street but i have been reading similar things about Occupy the London Stock Exchange...
“I think that the Zionist Jews that are running these big banks and the Federal reserve, which is not run by the federal government, need to be run out of this country" - Shirley MacAllister
Read and watch all of the below before commenting please.
"US Jews behind Greek economic crisis." - Mikis Theodoraki, Greek Composer (source) See also here.
Do Zionists Control Wall Street? The Shocking Truth by Rep. Dr. David
This has got to be my most powerful video yet on the Zionist influence on America and the World! Teacher Patricia McAllister was crucified for daring to simply say outloud that Zionists controlled Wall Street while helping in an Occupy Wall Street demo in Los Angeles. She was fired for simply telling the truth. LA talkshow host Bill Handel said on his show just a few days earlier, quote, "My Tribe Controls Wall Street why should I be upset about that?" Of course, he wasn't fired because he is part of the tribe that runs the media.
So, what are the facts? This video lays out the facts of the Zionist control of Wall Street and International finance like nothing else! I believe that this new video of mine is the most powerful film ever made exposing the Zionist control of International Finance and the FED! I defend an African American woman who has been crucified for saying that Zionist Jews Control Wall Street, and I show how she was completely correct. I even show a clip of Alan Greenspan saying that the Federal Reserve cannot be told what to do by the President or any agency of government! And this is the same Federal Reserve that prints our money and gives away trillions to their Zionist bankster brothers!
Jews Behaving Badly
A Difficult Year for the Chosen People on Screen at Cannes
The cringe-inducing spectacle of Jews tied to the world financial implosion took center stage at the recent Cannes Film Festival. Even fiction got in on the act.
From investment bankers called out by the documentary “Inside Job” to the haimish yet shady broker played by Frank Langella in the new feature “Wall Street: Money Never Sleeps,” Jews took a public relations beating.
None of these works appears to intentionally highlight Jews. “Inside Job,” Charles Ferguson’s dissection of the 2008 crash, shows abuses perpetrated by bankers and economists of diverse backgrounds. But the Jewish figures stood out for their disproportionate presence.
“In my film and in my observation, this is a very equal-opportunity thing,” Ferguson told the Forward. As for audiences who might be inclined to blame Jews as scapegoats in the financial crisis, he said, “For somebody who’s already a bigot, it’s not going to change their mind.”
A few unexpected images of Jews leave a sour taste. The film points out that Martin Feldstein, a Harvard economics professor who acted as a national policy adviser, endorsed continued deregulation of the financial industry while he made millions as a board member of AIG’s financial products unit.
Frederic Mishkin, an economist and professor at the Columbia University Graduate School of Business, performs a verbal two-step as he is grilled about receiving $124,000 from Iceland’s Chamber of Commerce to write a report praising Iceland’s economy while it was crumbling.
The movie says that other Jews, such as former Federal Reserve Chair Alan Greenspan and some investment bank honchos, declined to be interviewed. So our anger-stoked imaginations fill in their stories. Then, those of us inclined to view the recession as a Jewish disaster are thrown the image of a now-disgraced Eliot Spitzer taking the financial industry to task.
There’s no denying that the on-camera confrontations make good theater. Both Jews and gentiles lost money in the crash. In “Inside Job,” Jewish and gentile finance professionals hem and haw when asked why the public was sold securities that were designed to fail because firms bet on them to fail.
Why, the movie asks, did bond-rating groups give immaculate grades to worthless investments? Why did powerful, smart people we trusted keep pushing for deregulation while Big Money took over government, generating an incestuous job pipeline between the financial sector and Capitol Hill?
Jewish representation among those involved in financial mismanagement plays in the movie like the pink elephant in the room. Seeing it on a huge screen at the world’s most important film gathering made the elephant seem bigger.
Lynn Davidman, a professor of modern Jewish studies at the University of Kansas, pleads for tolerance beyond the cinema. In an interview, she asked, “Can an audience of filmgoers watch a film representing any particular group and use their own judgment to understand that the actions of any one person in a group or several in the group does not necessarily represent all actions of all members in a group?”
One hopes so. If Jews have any feeling of being singled out on film or elsewhere, Davidman added, they should be reminded of the criticism that Catholics hear about pedophile priests and their portrayals on film. Said Davidman of the feeling of collective guilt: “Do Catholics come away with feeling, ‘Oh, my God, are we shamed again?’”
Another film, Oliver Stone’s “Wall Street: Money Never Sleeps,” applies studio sheen to the meltdown. Frank Langella plays Lewis Zabel, who is offered up as a sacrificial lamb for the financial world’s sins. As the global collapse begins, Zabel throws himself in front of a subway train. Langella said the character, created by screenwriters Allan Loeb and Stephen Schiff (and guided by Stone, of Jewish heritage), acts less out of guilt than out of his inability to compete.
“He’s as much of a son of a bitch as the other ones,” Langella said in an interview. “I just think he’s been caught in a bind and I just think in terms of timing, things have passed him by in terms of the game, not in terms of anything else. He doesn’t know how to play the new game. He can’t keep up with it.”
Before his suicide, Zabel dotes on hotshot hedge-funder Jacob Moore (Shia LaBeouf), who is dating the daughter of the released-from-jail Gordon Gekko (Michael Douglas), the “greed-is-good” anti-hero of the 1987 original “Wall Street.”
But even a fatherly relationship with his orphaned employee can’t ease Zabel’s despair at being left behind. Said Langella: “He’s lost his mojo.”
Ponzi-scheming Bernie Madoff provided a potentially bigger target at Cannes. The makers of a quickie Bernie biopic, “Madoff: Made Off With America,” sent out a mass e-mail to the Cannes press inviting them to a photo-op and interview with their B-list cast, including newcomer Paul Cohen as a Madoff look-alike and Tom Sizemore as a character named Vito. The press release announced a day but no time.
On the day advertised, I knocked on the door of the filmmakers’ hotel room, but no one answered.
It’s just as well. One more Jew behaving badly on screen would have been one more too many.
Ron Dicker, who covered the Cannes Film Festival for the 10th time, is a freelance writer based in New York City.
The below documentary is a MUST see, especially the segment on the UK and how you are swindled here.
It can also be viewed here:
See also: http://www.digitaljournal.com/blog/18842
Finally, I URGE you ALL to read the below book which focuses on the UK situation...
The Grip of Death: A Study of Modern Money, Debt Slavery and Destructive Economics
A lucid account of where our money comes from. Explains why virtually all the money in the economy has been created as debts to banks, why only 3% of UK money exists as ‘legal tender’ and why the National Debt cannot be repaid. P/B, 344pp.